From REVEALED "D" Side - Single Release 03/20/2026
v. GOD'S REPLY
Job 38:4
38:8-11
38:12-13 38:34,25-27
Where were you when I laid down
The ground on which you stand?
Tell me if you understand
Have you set the bounds
On the ocean's waves
Or commanded the days?
Can you call to the clouds
And bring the pouring rain
To water the dry plain?
38-41, 38:1-3, 40:7
Job, I do not tell you why
You wouldn't understand
You are but a man
39:26-29
41:11
38:12-13
Is it because you are so wise
That the hawk soars in the skies?
On his prey the eagle spies
And who has given to me
That I should repay?
It was I who made this day
Job, I do not tell you why
You wouldn't understand
You are but a man
Job, I do not tell you why
You wouldn't understand
You are but a man
38-41
42:7-8, 1:1,5,20,22
Just know that I am God
Just know that I am God
And your faith really matters to Me
Yes, your faith really matters to Me
Just know that I am God
Just know that I am God
And your faith really matters to Me
Yes, your faith really matters to Me
THE MUSIC
v. God's Reply (1989) C (C capo 2, det. 1 step)
[5:32]
(rec. Dec. 2025 /
Jan. 2026)
Chard Berndt: Acoustic Guitar, Voice, Electric Guitar
NOTES
(This is the fifth song of seven in the Job Suite)
When God spoke to Job, it was "out of the storm", a tempest of whirling winds. We don't know whether God projected through the din of this, or if the squall got Job's attention and then God spoke in the aftermath. In the latter case, it might have been at a conversational level or in a whisper (as Elijah experienced after similar on-demand events: earthquake, wind, and fire). I mixed up a violent windstorm as the introduction for the album version and envisioned it this way, coming suddenly, dissipating right about the time Job thought it could be his end, and then God lovingly and poetically confronting the man.
Young Elihu's speech (Part iv. in the Suite) broke Job and his companions out of exhausting cycles of dialogue and questions, and set Job up for God's speech, a "reply" to Job's questions but entirely on God's terms, bringing His own set of rhetorical questions.
I intentionally kept this song as solo acoustic guitar with a single vocal, but as 2025 came to a close, after I had recorded the acoustic part, I began hearing and composing an electric guitar lead that now belongs to the song, voiced only over the instrumental section.